Danish Progressive Rock At Its Best - Part 3

by Piotr Tucholski for Tarkus no. 23, December 2002

When I was writing the article "Danish Progressive Rock At Its Best" I was in a constant process of trading what resulted in more and more interesting records I had and wanted to write about. But as the next issue of Tarkus magazine deadline was near I decided to send the text I had and then to write the last part (you will find it split as part 3 and 4).
The process of collecting records relying on "discovering" rare music by yourself is a great adventure but also time and money consuming. I write about them with hope that some titles will be interesting for you and will help you to make decisions if they are worthy to possess. Be aware that there are many other Danish performers that I didn't write about in this series of article. Some, still wait for your "discovery"...

Anaconda

It is difficult to say a lot about this 5-piece group as it has in output only one single from 1973 (Baby, Turn Me Loose/Daytime). It presents melodic rock with strong West Coast feeling.

Barbarella

Barbarella recorded one album but in two versions: self-titled in native language and First Love in English. I know the English one; it is melodic rock with the progressive edge of the style presented by Supertramp, Kaipa and, especially Barclay James Harvest. My favourite compositions are opening Barbarella and The Old-Fashioned Way but the whole album is played on good equal level. The only track diverse from the others is rock'n'roll You're Gonna Get It. The record ends with beautiful ballad To Walk Winter Streets. I recommend this album for those who like lighter side of progressive rock.

Barbarella: Gerner Bresson (voc., flute), Henning Pold (voc., bass), Terje Barnholdt (drums, perc.), Kaare Barkou (keyboards, voc.), Kenneth Carter (guitars, voc.)

Discography:
1. Barbarella - 1975 Artist
2. First Love - 1975 Artist


Blast Furnace

People who know the only record of Blast Furnace are surprised how tasteful music contains and excellent songwriting. For me, it is one of the top albums with progressive songs. Only two compositions are longer than 5 minutes (the longest clicks a bit more than 7) but you should listen to them attentively as a lot of interesting things happen there. The term 'songs' is not only due to "not-progressive" time of compositions but also to vocal of Englishman Tom McEwan, strong and distinctive. On This Time Of Year and the bonus CD track Lister Du Omkring Hjorner the singer is Arne Würgler (bass, cello). The vocalist often gives space to instrumental passages where guitar and organ dominate, so compositions are well balanced between vocal and instrumental parts. Musicians vary the compositions by putting delicate sounds into more aggressive fragments. And so, beside the dynamic organ and rough electric guitar you may find flute (Ginger Cake, Long Distance) or delicate piano (This Time Of Year, Toytown). The result is really awesome. Fortunately, this difficult to get masterpiece was reissued by Long Hair in April 2002.

Discography:
1. Blast Furnace - 1971 Polydor

Reissues:
[1] CD - Long Hair 2002

Blast Furnace record cover


Days

 
Days: Peter Lindhe (drums), Jørn Anker (keyboards, voc.), Ole Fester (bass), Lars Reinau (guitars, voc.)
The only album of Days is a real gem! From one hand, it is the style presented by The Beatles in their later, more mature period, from the other, proto-progressive rock with lots of guitar and organ (sometimes even harpsichord appears adding medieval/renaissance touch). I think fans of Ache will like this album a lot as atmosphere is here often similar to The Homine Urbano. Other comparison can be make to Deep Purple from their second album The Book of Taliesyn and early Procol Harum. The most progressive are Discovery In Blue (with classical-baroque feeling), Feel The Joy or closing Globe Without A Soul. However, the rest is not behind like semi-ballad Lonely Shepherd Boy. All lyrics are sung in English.

There is a problem to get this album as all items released by Spectator are extremely rare and expensive. However, there is a bootleg much the same as original one (even the record number) and the price is reasonable (c.a. 20 €). Don't hesitate if you have a chance to get it. After a few years Days released two more albums of plain rock, far behind their first work.

Discography:
1. Days - 1971 Spectator
2. Bacchus Is Back - 1975 Sonet
3. Days '77 - 1977 Sonet

Reissues: [1] LP - bootleg


Fujara

The band from Køge founded in 1970 playing mostly rock affected by hippie subculture with social and political lyrics. This 6-member group was said to have humorous live performances. It had brass section as strong as Dr. Dopo Jam but didn't use it in so efficient and dynamic way. Anyway, Fujara does not sound like one more political group where lyrics dominated the music.

Most compositions remain under influence of West Coast rock but especially two of them are in Dr. Dopo Jam vein, and those are IMO the best ones on the whole album: Styvtoget and excellent Majara. All lyrics are in Danish.

Fujara in concert: Ole Knudsen (voc., guitar), Poul Chr. Nielsen (sax, trumpet, flute), Jørn Nørredal (trumpet, harmonica, trombone), John Olsen (drums), Jesper Christiansen (bass, voc.), Jan Andersen (guitar, voc.)

Discography:
1. Fujara - 1973 CBS


Heavy Joker

What a nice surprise! I had no recommendations when I was buying this album but I don't regret it at all. It presents fusion jazz-rock with progressive touches. One side 1 every band member composed one track: Michael Bruun (guitars, moog, solina strings) - Ace of Spades that reminds of Pat Metheny, Kasper Winding (guest musician playing keyboards) - That's It!, Jan Sivertsen (drums, percussion) - Heavy Joke, again you feel Pat Metheny's atmosphere, Henrik Bødtcher (bass) - dynamic Canasta Funk where another guest musician, Anders Gardmand plays sax not unlike Karsten Vogel. The last one Ambrosia is composed by Max Leth jun. (keyboards, vibraphone, marimba). If I mentioned of progressive elements I mainly thought of Leth's compositions. Ambrosia is the most beautiful track on this album mainly due to delicate and tasteful play of keyboards and vibraphone. The whole side 2 covers Symphonia composed also by Leth and consists of 4 compositions - interesting and drawing into, especially the longest Highway Habits. Michael Bruun and Henrik Bødtcher played earlier in excellent Thor's Hammer! The group released another album but, unfortunately Max Leth left the Heavy Joker before that.

Discography:
1. Heavy Joker - 1976 Polydor
2. Caesar's Palace - 1978 Mercury



Heavy Joker: Jan Sivertsen, Henrik Bødtcher, Michael Bruun, Max Leth Jun.
Iron Duke

Iron Duke during recording session: Hans Resen (bass, flute), Claus Sarup (drums), Kai Schaarup (engineer), Jens Olesen (keyboards), Tommy Hansen (guitars, back. voc.)  
The group is a representative of classical progressive rock and is often compared to Emerson Lake and Palmer - the most famous band of this genre. However, the music of Iron Duke on First Salvo is much 'softer' and, unfortunately, sometimes tedious. It would sound better if were a bit heavier. The musicians adopted compositions of G. F. Händel (See The Conqu'ring Hero Comes) and Edward Grieg. Undoubtedly, the best one is 15-minutes Rockin' Edward based on Per Gynt Suite. Iron Duke recorded another album Gammel Dansk that is harder to find nowadays.

Discography:
1. First Salvo - 1974 Polydor
2. Gammel Dansk - 1977 Sonet


No Name

The group with Peter Ingeman from Young Flowers. Their only album Fødelandssange [Songs For Our Country] features another Danish rock pioneer - guest musician Stig Møller (from Steppeulvene). It presents quite diverse compositions with lyrics in Danish. The side 1 starts with beautiful and peaceful title-track. Then come: En Almindelig Mand reminding jazzy Burnin' Red Ivanhoe, De Sorte Bagmæd - plain rock with country-like violin, Skæbne - acoustic guitar ballad and again BRI-like Kom Ned På Jorden. Side 2 adds e.g. Synge Dig En Sang - that is in vein of Blue Sun from 1973, blues track Snyd Blues etc. The variety of styles make this album a bit difficult to listen with big interest from the beginning till the end but, on the other hand, everyone can find something for himself. Not essential but interesting for Scandinavian rock collectors.

Discography:
1. Fødelandssange - 1972 Polydor


TømrerClaus

TømrerClaus (Claus Pedersen) started his guitar carrier in the late 60's, playing with several Danish bands. In the mid-70's he moved to Christiania where began to play also cello and violin. Being much independent performer experimented a lot, so his music from that period is often surprising. All three TømrerClaus' albums from 70's were recorded and released by himself. That was the beginning of his record label Karma Music. Snydt [Cheated] appeared on tape and was sold in 400 copies. You can find 7 out of 12 tracks on CD reissue. These is very psychedelic instrumental music with Claus' rough fuzz guitar play and experiments with cello. Next self-titled album was released on LP. Hippie atmosphere of Christiania had big influence on artists living there. It could be somehow comparable to atmosphere on Woodstock festival. And when you listen to track Cellokarma where Claus abuses the cello Jimmi Hendrix playing the American hymn comes to your mind! In fact TømrerClaus' play seems to be under big influence of Hendrix and other guitar virtuosos of that time.

The third work Hepar [Liver] was released again on cassette. Next album Savania appeared after a long break in 1993 featuring Claus on acoustic guitar. On his last work En Spade Er En Spade [A Spade Is A Spade] TømrerClaus came back to electric guitar. However, his music is more diverse - you may find his solos in style of Gary Moore, Ritchie Blackmore or Hank Marvin from The Shadows.

Discography:
1. Snydt (MC) - 1977 Karma
2. TømrerClaus - 1978 Karma
3. Hepar (MC) - 1978 Karma
4. Savania (CD) 1993 Karma
5. En Spade Er En Spade (CD) - 2002 Karma

Reissues:
[2] CD - APM 1997 (bonus: 7 tracks from Snydt and one from Hepar)
[2] CD - Karma - same as above

TømrerClaus with his cello


End of Part 3...  Click here to enter Part 4

References and Internet Sites

Acknowledgements


RETURN TO MAIN PAGE



1